54 INCH GLASS TABLE TOP. 54 INCH GLASS


54 INCH GLASS TABLE TOP. SOLID WOOD DINING ROOM TABLE.



54 Inch Glass Table Top





54 inch glass table top







    inch
  • A very small amount or distance

  • a unit of length equal to one twelfth of a foot

  • A unit of linear measure equal to one twelfth of a foot (2.54 cm)

  • column inch: a unit of measurement for advertising space

  • A unit used to express other quantities, in particular

  • edge: advance slowly, as if by inches; "He edged towards the car"





    top
  • Be taller than

  • Be at the highest place or rank in (a list, poll, chart, or league)

  • exceed: be superior or better than some standard; "She exceeded our expectations"; "She topped her performance of last year"

  • Exceed (an amount, level, or number); be more than

  • top(a): situated at the top or highest position; "the top shelf"

  • the upper part of anything; "the mower cuts off the tops of the grass"; "the title should be written at the top of the first page"





    54
  • fifty-four: being four more than fifty

  • Year 54 (LIV) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar.

  • Argentina made major changes to its telephone numbering plan in 1999, this page describes the changes and the current dialing practices. (For a general overview of the Argentine phone network, see the relevant section of the article about Communications in Argentina.)











for sale 069




for sale 069





SOLD PENDING PICKUP
Pottery Barn glass & wood coffee table with shelf. One pane of glass on top of table, two panes on lower shelf.
54 inches L x 32 inches W
Asking Price: $250
Original purchase price: $600











lily on the glass table




lily on the glass table





Explore 09-01-07

have a good saturday everyone - i'm off to guadalajara to shoot the mariachi parade - looking forward to see- and will comment on your creations when back ((((:











54 inch glass table top







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ANTIQUE DRESSING TABLE MIRROR - ANTIQUE DRESSING


ANTIQUE DRESSING TABLE MIRROR - CONSOLE TABLE WITH SHELVES - FOLDING TRAY TABLES.



Antique Dressing Table Mirror





antique dressing table mirror






    dressing table
  • low table with mirror or mirrors where one sits while dressing or applying makeup

  • A lowboy is a small table with one or two rows of drawers, so called in contradistinction to the tallboy or highboy chest of drawers.

  • A table with a mirror and drawers for cosmetics, etc., used while dressing or applying makeup





    antique
  • A collectible object such as a piece of furniture or work of art that has a high value because of its considerable age

  • old-timer: an elderly man

  • made in or typical of earlier times and valued for its age; "the beautiful antique French furniture"

  • shop for antiques; "We went antiquing on Saturday"





    mirror
  • (of a reflective surface) Show a reflection of

  • polished surface that forms images by reflecting light

  • Correspond to

  • reflect as if in a mirror; "The smallest pond at night mirrors the firmament above"

  • Keep a copy of some or all of the contents of (a network site) at another site, typically in order to improve accessibility

  • a faithful depiction or reflection; "the best mirror is an old friend"











antique dressing table mirror - 32" Hand-carved




32" Hand-carved Solid Hardwood Mirror Anne Dressing Table and Mirror


32" Hand-carved Solid Hardwood Mirror Anne Dressing Table and Mirror



Hand-carved solid hardwood mirror swings open for secret storage ; Like those works of furniture art found in palaces along the Loire, our 18th-century dressing table boasts elegant style, restrained decoration and curvilinear form. Five drawers provide functional storage while the generous beveled mirror opens to reveal hooks from which to hang your favorite jewelry. Boasting hand-carved cabriolet legs and scalloped skirt, our hard-to-find, solid hardwood replica pays true homage to more highly priced original antiques.
Simple assembly required. (Stool not included.)

(Set Includes: Table & Mirror)
Table: 45"Wx19?"Dx32"H.
Mirror: 27"Wx4"Dx32"H.
Total ght: 77 lbs.Stool is sold separately; stools wood finish color is lighter than it appears in photo










81% (6)





Mystical Mirror...I




Mystical Mirror...I





...at Hummingbird House, CARF's beautiful new home and prevention centre.

Our kids are constantly fascinated by all the old furnishings and objects d'arte which decorate the many different rooms in this fairytale-like house, quite in contrast from the daily environment in their own homes in the underprivileged favela communities, where little or no attention is paid to aesthetics.

Discovering this wavy, old, hand-blown mirror in an antique dressing table in one of the bedrooms, brought on some rather hysterical outbursts of laughter, which almost raised the ceiling as more kids joined in the fun and discovered the Mystical Mirror of Hummingbird House.

Incredibly enough, I've had that old dresser for almost two decades in my own home and never noticed the twisted reflection it sends back to the onlooker, but then again I'm not one for spending time in front of mirrors. Although I must admit when joining in the fun, that I couldn't stop laughing until we were all doubling up in tears on the floor.

What a fun discovery and one they spread the word about quickly.
For each new group of children that come to spend time at Hummingbird House, the kids immediately ask to see the Mystical Mirror and once again we all have a great laugh...............











Mystical Mirror...II




Mystical Mirror...II





...at Hummingbird House, CARF's beautiful new home and prevention centre.

Our kids are constantly fascinated by all the old furnishings and objects d'arte which decorate the many different rooms in this fairytale-like house, quite in contrast from the daily environment in their own homes in the underprivileged favela communities, where little or no attention is paid to aesthetics.

Discovering this wavy, old, hand-blown mirror in an antique dressing table in one of the bedrooms, brought on some rather hysterical outbursts of laughter, which almost raised the ceiling as more kids joined in the fun and discovered the Mystical Mirror of Hummingbird House.

Incredibly enough, I've had that old dresser for almost two decades in my own home and never noticed the twisted reflection it sends back to the onlooker, but then again I'm not one for spending time in front of mirrors. Although I must admit when joining in the fun, that I couldn't stop laughing until we were all doubling up in tears on the floor.

What a fun discovery and one they spread the word about quickly.
For each new group of children that come to spend time at Hummingbird House, the kids immediately ask to see the Mystical Mirror and once again we all have a great laugh...............









antique dressing table mirror







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ATLANTIC RECTANGULAR TABLE. ATLANTIC RECTANGULAR


Atlantic Rectangular Table. Outdoor Bar Stools And Table



Atlantic Rectangular Table





atlantic rectangular table






    rectangular
  • In Euclidean plane geometry, a rectangle is any quadrilateral with four right angles. The term is occasionally used to refer to a non-square rectangle. A rectangle with vertices ABCD would be denoted as .

  • Denoting or shaped like a rectangle

  • (of a solid) Having a base, section, or side shaped like a rectangle

  • Placed or having parts placed at right angles

  • having four right angles; "a rectangular figure twice as long as it is wide"

  • orthogonal: having a set of mutually perpendicular axes; meeting at right angles; "wind and sea may displace the ship's center of gravity along three orthogonal axes"; "a rectangular Cartesian coordinate system"





    atlantic
  • The Atlantic was made by Atlantic AG fur Automobilbau, Berlin, from 1921 to 1923. It was a single-track car with two auxiliary side wheels and a two-seat tandem body. An air-cooled 2-cylinder 1.8/6.5PS engine was used.

  • the 2nd largest ocean; separates North and South America on the west from Europe and Africa on the east

  • Of or adjoining the Atlantic Ocean

  • relating to or bordering the Atlantic Ocean; "Atlantic currents"





    table
  • Present formally for discussion or consideration at a meeting

  • postpone: hold back to a later time; "let's postpone the exam"

  • a piece of furniture having a smooth flat top that is usually supported by one or more vertical legs; "it was a sturdy table"

  • Postpone consideration of

  • a set of data arranged in rows and columns; "see table 1"











atlantic rectangular table - VIFAH V189




VIFAH V189 Outdoor Wood Rectangular Table with Curvy Legs, Natural Wood Finish, 59 by 36 by 29-Inch


VIFAH V189 Outdoor Wood Rectangular Table with Curvy Legs, Natural Wood Finish, 59 by 36 by 29-Inch



This Atlantic rectangular table offers seating for 4 or 6 people. The legs are specifically designed with curves to provide a unique look and feel to your garden. High Density Eucalyptus (or also known as Shorea in our line) is the premium grade of solid "Eucalyptus Gradis" hardwood, grown in 100-percent well managed forests in Brazil, certified by the FSC (Forest Stewardship Council). There is little difference between High Density Eucalyptus (Shorea) and Teak when broken down to their core essence. The biggest attribute of High Density Eucalyptus (Shorea) is undoubtedly the strength of the timber. It's renowned for its excellent resistance to every day wear and tear. It is extremely durable and tightly grained to produce a desirable density. It remains unaffected by all variations in weather, especially its resistance to damp conditions makes itself extremely competent at combating insect attacks and decay. Comes in a Natural Wood Finish. 59 by 36 by 29-Inch










87% (18)





New York Public Library, George Bruce Branch




New York Public Library, George Bruce Branch





Harlem, Manhattan

The striking brick and limestone George Bruce Library building is an excellent example of Georgian Revival-style civic architecture, designed by the prominent architecture firm of Carrere & Hastings. The firm is noted for the design of New York Public Library’s main branch building at Fifth Avenue and 42nd Street.

The George Bruce Library building is three stories high and four bays wide. The historic ground-floor entryway features an arched transom with Gothic muntins, and sidelights, and is flanked by historic copper lanterns and an ocular window above the entrance with a surround of bricks and a stone keystone. The black-and -red header brick facade forms a distinctive checkerboard pattern. The second floor has three large windows with flared lintels. The third floor has four smaller windows, each with a center keystone. The engraved stone frieze below the denticulated stone cornice is topped by a brick-and-stone paneled parapet.

The George Bruce Library is named for a Scottish inventor of printing machinery. In 1877, his daughter Catherine donated $50,000 for a library building and books in her father’s memory. Completed in 1888, the original George Bruce Library was located on 42nd Street.

When it was sold in 1913, the proceeds were used to build the current library located on 125th Street.

Carrere & Hastings designed fourteen Carnegie-funded libraries in New York. This commission was awarded to the firm after the success of the central library building. This library was designed shortly after the tragic death of Carrere and reflects the firm’s interest in English architecture.

The George Bruce Library building was designed in a rather free interpretation of Georgian Revival style, based on architecture from the colonial period that was found predominantly along the Atlantic coast. Elements typical of that style are: a stone water table and raised basement with prominent keystones above rectangular windows, and stone and brick exterior walls. Palladian windows were featured in some designs; however, Carrere and Hastings took this element and applied it to an exaggerated arched recessed vestibule on a secondary facade that faces what was once the Moylan Place entrance.40 Typical of this style, the secondary facade is usually similar to the main facade. Carrere and Hastings utilized this element, which is usually found in residential buildings, and successfully applied it to a public building.

The George Bruce Branch embodies Carrere and Hasting’s notion of urban libraries, expressed through the configuration of the facade and large windows, without overwhelming the residential scale of the neighborhood.41 This building is similar in design to several of the firm’s earlier Carnegie Libraries, such as the Hudson Park Branch in Greenwich Village (1906) and the Tremont Branch in the Bronx (1905). Like several of the earlier designs, the freestanding building is three stories high and four bays wide. The ground floor entrance with an arched transom is at the side bay. The building’s Georgian Revival features include the checkerboard brickwork, large arched entrance with Gothic muntins, ocular window, splayed brick lintels with stone keystones, and a simple but elegant engraved stone frieze below a denticulated stone cornice with band courses, topped by a brick-and-stone paneled parapet.

- From the 2009 NYCLPC Landmark Designation Report











Atlantic Puffin, Fratercula arctica




Atlantic Puffin, Fratercula arctica





Atlantic Puffin, Fratercula arctica









atlantic rectangular table







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BLACK PEDESTAL SIDE TABLE : SIDE TABLE


BLACK PEDESTAL SIDE TABLE : FOLDING CRAFT TABLE : 5 FOOT FOLDING TABLE.



Black Pedestal Side Table





black pedestal side table






    side table
  • A table placed at the side of a room or apart from the main table

  • Small accent table used for display, which is usually placed either against a wall or aside from the principal table. (See table)

  • Any table designed to stand against a wall.

  • Any table built with the intention of displaying only one side. Side table normally have one unfinished side that is meant to be placed against a wall or another piece of furniture. They are often semi-circular or rectangular in shape.





    pedestal
  • A position in which one is greatly or uncritically admired

  • an architectural support or base (as for a column or statue)

  • Each of the two supports of a kneehole desk or table, typically containing drawers

  • base: a support or foundation; "the base of the lamp"

  • a position of great esteem (and supposed superiority); "they put him on a pedestal"

  • The base or support on which a statue, obelisk, or column is mounted





    black
  • the quality or state of the achromatic color of least lightness (bearing the least resemblance to white)

  • blacken: make or become black; "The smoke blackened the ceiling"; "The ceiling blackened"

  • Make black, esp. by the application of black polish

  • Make (one's face, hands, and other visible parts of one's body) black with polish or makeup, so as not to be seen at night or, esp. formerly, to play the role of a black person in a musical show, play, or movie

  • being of the achromatic color of maximum darkness; having little or no hue owing to absorption of almost all incident light; "black leather jackets"; "as black as coal"; "rich black soil"











Albeit so frustrated,




Albeit so frustrated,





NOTES ON THE BALL JOINT
by Hans Bellmer
Translated from the French by Guy Bennett

Born in Kattowitz, then part of the German Empire, but now Katowice, Poland, Hans Bellmer began as a draftsman for his advertising company. But with the rise of Nazism, he began his "doll series," purposely sexualized images of dolls, often in mutated or incomplete form which in performance-like actions he placed in unconventional poses, in direct opposition to the Fascists' cult of the perfect body.

Inspired, in part by the articulated dolls in the Kaiser Friedrich Museum, Bellmer constructed his dolls around the principle of the "ball joint," and one might describe his "Notes on the Ball Joint," printed below, as a kind of early performance piece, projecting a series of positioning and moving of his dolls.

After the War, Bellmer gave up his dolls, but continued creating art until the 1960s. He died on February 23, 1975.


The game belongs to the category of experimental poetry. If we recall its essentially provocative method, the toy presents itself as a provocative object.

The best game sustains its exaltation less in the predetermined images of an outcome [result] than in the idea of the perpetuity of its unknown continuations. The best toy will therefore be the one that ignores the pedestal of an a priori functioning, the one which, rich in applications and accidental probabilities like the poorest of rag dolls, confront the exterior to fervently provoke, here and there, these answers to any expectations: unexpected images of the You.

So that such a doll, full of affective [emotional] content but suspected of being but a representation and a fictitious reality, may find in the outside world, in the shock [clash] of its encounters, the certain proofs of its existence, on the other hand the outside world, the tree, staircase or chair, suspected of being but a perception, must reveal what the I has accumulated of the you. In a word an amalgam of the objective reality of the chair and the subjective reality of the doll must be formed, an amalgam endowed with a clearly superior reality, since it is both subjective and objective.

Thus the role of the provocative object takes shapes. Let it occupy any place on the swings closest to or farthest from the confusion between the animate and the inanimate, it will be a question of the personified, mobile, passive, adaptable and incomplete thing, it will finally be a questionAto the rather broad extent to which the principal of the doll or the articulated object appears to respond to these demandsAof the mechanical factor of its mobility, of the JOINT.

In his memoirs, Cardan allows us to understand against which attacks he had to defend his equilibrium. Thus warned, one believes one finds the principal of his individual strategy in what it called the "Cardan," this ring mechanism developing into a cross "in the center of which a body could be suspended in such a way that no outside disturbance would trouble the stability of its equilibrium." Not allowing any outside force, with the exception of weight, to act on an object, this idea seems to be the very symbol of egocentrism; but, oddly enough, it is reversible. For, rather than suspend the object within the system of rings, which by its periphery is connected to the outside world, the outside could be attached to the center of the system, in the object's place, and consequently [conversely] the object on the periphery. [image] If we consider that in the first case the distance delimited by the object's center of gravity and the center of the rings can be reduced to zero and that, in the other case, it could go on infinitely, the following surprise results: the system of rings lies between two elementary and contradictory claims, between the two tendencies of concentricity and eccentricity, thus between two adversaries, whose interchangeability is in fact too incomprehensible to dispense with a demonstration by example:


1st example
CONCENTRICAL APPLICATION OF THE CARDAN
"We make an octagonal, hexagonal, square or pentagonal inkwell, or in one of the many forms given to prisms. On each one of its sides the inkwell has a place to dip one's pen, and no matter how you set it down, you always have a hole on topAyou dip your pen in the hole, it takes on ink and you write. Take the hexagonal inkwell that you see here. [image] On the inside there is a collar on a tourillon ab; within this collar there is a recipient that forms the inkwell. It is in the Jewish manner, if you like, and the construction of the device resembles that of the censer which turns but remains in equilibrium."

Phylon de Byzance(end of the IIIrd century b.c.) describes this "construction of the octagonal inkwell, an elegant device," in the fifty-sixth chapter of his "Pneumatics." An unknown Arab hand added in the margins of the manuscript:


2nd example
EXCENTRICAL APPLICATION OF THE











CN00046657




CN00046657





ca. 1948 --- Prize Wardrobe: The Dress-up Suit - Long shot of Sally Hardesty, winner of Glamour's 'Ten Girls with Taste' contest, wearing a two-piece black cotton velvet suit with braided collar and cuffs. She wears a matching black hat and sits at a cafe table jauntily holding an umbrella. --- Image by © Conde Nast Archive/CORBIS









black pedestal side table







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CHERRY WOOD CONSOLE TABLE - CHERRY WOOD


Cherry Wood Console Table - Oak Dressing Table Mirror - Pine Table And Chairs



Cherry Wood Console Table





cherry wood console table






    console table
  • A table supported by ornamented brackets, either movable or fixed against a wall

  • (Console Tables) Tables made for fixing against a wall and having no legs at the back. They came into fashion early in the eighteenth century, and were made often in pairs.

  • A table meant to be displayed against a wall. It may be attached to the wall with only two front legs or freestanding on four legs.

  • a small table fixed to a wall or designed to stand against a wall





    cherry wood
  • The wood of the Cherry Tree. At one time, a popular wood for making pipes from. Now only a few companies produce cherry wood pipes.

  • Prunus is a genus of trees and shrubs, which includes the plums, cherries, peaches, apricots and almonds. Within the rose family Rosaceae, it was traditionally placed as a subfamily, the Prunoideae (or Amygdaloideae), but was sometimes placed in its own family, the Prunaceae (or Amygdalaceae).











cherry wood console table - 3 pc




3 pc pack cherry finish wood hall console table , mirror and lamp by Coaster Furniture


3 pc pack cherry finish wood hall console table , mirror and lamp by Coaster Furniture



This contemporary hall console table features a rich cherry finish and is part of a complete set making this an efficient piece of entry way or hall furniture. A mirror and lamp is also included to complete this set. This console table mirror set is usually in stock and will ship at no additional cost to you. See additional features below. Dimensions:
Accent Table- (Coaster Model# 900149) - 36L x 14W x 33H
Mirror - (Coaster Model# 900149) - 22W x 28H
Lamp - (Coaster Model# 900149) - 27H
Some assembly may be required. Please see product details.










83% (17)





Frison Renzo Snc: Credenza - Dresser




Frison Renzo Snc: Credenza - Dresser





Credenza composta da 2 porte e 4 cassetti, cassetti con coda di rondine, piano impiallacciato in ciliegio con filetto in bois de rose, intarsio riproposto anche sulle ante delle porte. Mobile costruito con legno di tuolipier. Verniciatura anticata lucida, personalizzabile su richiesta. Misure: L131 P50 H91

Dresser featuring two doors and four swallowtailed drawers. The surface is veneered in cherry wood with braid in bois de rose, and so are the unit doors. The unit is made of tulip wood. Antiqued shiny paintwork, can be customized on demand. Measures: L131 P50 H91











Claire




Claire





A scaled-down version of Caroline, this piece is only 9" deep by 32" wide by 32" high. Quartersawn Cherry top, Hard Maple apron, Walnut legs.









cherry wood console table








cherry wood console table




English Cherry Console Table English Cherry Finish






DMI Office Furniture Keswick Collection console table is constructed of wood, wood veneers, and wood product with an English Cherry finish.Console/sofa table features a top with decorative cherry inlay veneer bordered by a walnut banding. Apron has shaped mouldings. Four fluted and carved legs. Perfect finishing touch to any reception or lounge area.To care for your furniture, dust regularly with a clean, soft, lintfree cloth. To clean heavy dirt, use a cloth dipped in a solution of mild detergent and water. Ships ready to assemble.










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